front cover of Andy Coolquitt
Andy Coolquitt
By Rachel Hooper
University of Texas Press, 2012

Andy Coolquitt makes objects and environments that exist in symbiosis with human relationships. During the 1990s, his life and work revolved around an expansive studio/artist commune/performance space/living sculpture/party place on the east side of Austin, Texas, where he continues to live, work, and host events. Intrigued by social contracts, Coolquitt creates artwork that facilitates conversation and interaction, augmenting the energy and frictions generated by individuals forming a community. He chooses materials that show the wear and tear of practical use, and, over the years, he has refined an artistic practice based on the collection, study, and reuse of things scavenged from the streets around him. Since his 2008 solo exhibition iight in New York City, Coolquitt’s work has gained a wide national and international audience.

Andy Coolquitt is the first comprehensive monograph on the artist’s work. Published in conjunction with a solo museum exhibition at Blaffer Art Museum, this volume displays the full range of Coolquitt’s work over the past twenty-five years, including images of site-specific installations that no longer exist. Accompanying the color plates are an introduction and chronology of the artist’s work by exhibition curator Rachel Hooper, an essay tracing Coolquitt’s connections to other contemporary artists and designers by Frieze magazine senior editor Dan Fox, an in-depth exploration of Coolquitt’s concepts and process by art writer Jan Tumlir, an interview with Coolquitt by director and chief curator of White Columns Matthew Higgs, and Coolquitt’s biography and bibliography.

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The New Basis of Civilization
Simon N. Patten
Harvard University Press

“At the turn of the present century, when the idea of a transition from an age of scarcity to an era of abundance was first explored by a few American social scientists, the overwhelming weight of professional and lay opinion in Europe and the United States defended the assumption of scarcity. When Simon Patten articulated his belief that enough goods and services would be produced in the foreseeable future to provide every human being with the requisites for survival, he was a lonely forerunner of the present tenuous consensus… For a generation, the concept of abundance was synonymous with Simon Patten. He raised issues which still disturb those who speculate about ways to improve the quality of American life.”—from the Introduction

Simon Patten was professor of economics at the Wharton School of the University of Pennsylvania from 1887 until his death in 1917. Throughout his working life he sought to justify his conviction that men could create and sustain an age of abundance by developing appropriate restraints. He was an early believer in the enforcement of contract laws that were pro-labor, in the limitation of consumer credit, and in restraints on speculation. He insisted that progress was hindered mainly by ignorance and prejudice, which could be overcome by a higher standard of living, by education, and by increased opportunity for everyone. Patten’s activities coincided with the growth of philanthropy in America, and he was one of the earliest promoters of professional social work.

In The New Basis of Civilization, originally published in 1907, Patten tried to modify traditional assumptions about the permanence of poverty, the effects of a more equitable distribution of wealth, and the possibility of substantial improvements in the standard of living. The new basis of an abundant civilization required, in his view, new strategies and tactics for planning and implementing social change.

In his Introduction, Daniel M. Fox examines the reasons Patten accepted the idea of abundance half a century before it achieved popularity, and shows how the concept of abundance became part of the way a significant number of Americans look at the world.

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